Givenchy has unveiled its Spring-Summer 2024 women's wear campaign, which features American model Amelia Gray, photographed by Kacper Kasprzyk.
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Furla unveils “Vita a Palazzo”: the new Cruise 2024 campaign. Paintings, tapestries, inlaid floors, and marble columns make up a Renaissance Palace, exhibiting a classic Italian tradition of craftsmanship and experimentation that is at the core of the Furla world.
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Furla unveils “Giardino all’italiana”: the new Fall Winter 2023 campaign. An ode to quietness and architecture: cornerstones of the brand's minimalist essence.
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Furla unveils the new global multi-media advertising campaign “Furla Colors”, presenting the sophisticated, yet colorful and dynamic sentiment of the new PreFall 2023 collection.
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Givenchy unveils its advertising campaign video for Women’s Spring-Summer 2023 Collection captured by Heji Shin under the creative direction of Matthew M. Williams.
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Furla unveils the new Spring Summer 2023 campaign “Italy by Furla” which brings the brand’s Italian DNA together with sophisticated elegance and colorful originality.
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Givenchy presents advertising campaign images for its Spring-Summer 2023 menswear collection, photographed by Creative Director Matthew M. Williams in New York City and featuring the Jamaican music phenomenon Alkaline.
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Givenchy presents its Global Advertising Campaign for Fall-Winter 2022 conceived by Creative Director Matthew M. Williams with still images and video lensed by the photographer Nick knight.
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Titled The Ritual, the new Gucci advertising campaign follows the reversal of perspective that characterized Creative Director Alessandro Michele’s vision for the Fall-Winter 2020-2021 show, where the audience was invited to witness what goes on behind the scenes, behind the curtains.
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To coincide with the Fall Winter 2020 2021 Women’s show, LOEWE previews images from its next advertising campaign: a new installment of the ongoing collaboration between LOEWE’s creative director Jonathan Anderson, photographer Steven Meisel and creative studio M/M (Paris).
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